|Jean Auguste Dominique Ingres
Oil on canvas
120 x 92.1 cm
The National Gallery, London, Purchased, 1936
National Gallery, The
Excerpt from The National Gallery, London:
Marie-Clotilde-Inès de Foucauld was born in 1821 and married Sigisbert Moitessier, a wealthy banker, in 1842. The portrait is influenced by the art of antiquity and the Renaissance. The pose, with the hand touching the cheek, is derived from an ancient Roman fresco of a goddess, from Herculaneum. This may suggest that for Ingres Madam Moitessier represented the ideal of classical beauty. The National Gallery’s Portrait of a Lady by Titian may have inspired him to add the profile in the mirror.
Ingres believed that portraiture was a less elevated art form than history painting. When first asked by Moitessier in 1844 to paint his wife, Ingres refused. On meeting her he was struck by her beauty and agreed. The picture was left unfinished and after seven years the sitter complained. In 1851, Ingres painted a standing portrait (National Gallery of Art, Washington) before returning to the seated portrait which he finally completed in 1856. The original intention had been to include the sitters daughter Catherine, but she had grown up by the time Ingres came to complete the portrait.
Jean Auguste Dominique Ingres, French, (1780–1867)
b. August 29, 1780, Montauban
Art in Context - Projects:
Art in Context - Art for the Day: August 29