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George Tooker
The Subway
Tempera on composition board

18 1/2 x 36 1/2 inches
Whitney Museum of American Art, New York Purchase, with funds from the Juliana Force Purchase Award

Whitney Museum of American Art

Excerpt From The Whitney Museum Of American Art:

George Tooker
The Subway, 1950

The Subway is the best known of the figurative paintings George Tooker made in response to the social injustices and isolation of postwar urban society—paintings that find an analogue in the period’s existentialist philosophy. In The Subway, Tooker employed multiple vanishing points and sophisticated modeling to create an imagined world that is presented in a familiar urban setting. Whether closed off in tiled niches or walking down the long passageway, each androgynous, anxiety-ridden figure appears psychologically estranged, despite being physically close to others in the station. The central group of commuters is locked in a grid of the metal grating’s cast shadows, while the labyrinthine passages seem to lead nowhere, suspending the city’s inhabitants in a modern purgatory. As Tooker remarked, he chose the subway as the setting for this painting because it represented “a denial of the senses and a negation of life itself.”

[Object Label - Whitney]



George Tooker: A Retrospective, National Academy Museum, New York

America is Hard to See, Whitney Museum of American Art, New York

Art Everywhere US, National Gallery of Art, Washington, D.C.


Additional Information:

George Tooker: Selected Biographies on Art in Context

George Tooker: Related Links on Art in Context


George Tooker (American, 1920-2011)
b. August 5, 1920, Brooklyn, NY
d. 2011

Art in Context - Projects:
Art in Context - Art for the Day: August 5

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