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Laszlo Moholy-Nagy
Light Prop for an Electric Stage
1930
Aluminum, glass, metal, cellulose acetate, mixed media


Tate Modern, London, © Hattula Moholy-Nagy / DACS 2007

Tate Britain

Excerpt from Tate Modern, London:

Albers and Moholy-Nagy: from the Bauhaus to the New World
Room guide, Room 5

Amid debates about the vocational direction of the Bauhaus, both Gropius and Moholy resigned in 1928. Moholy moved to Berlin, where he opened a commercial design office and produced designs for, among other projects, magazines and opera sets.

Since the early 1920s, he had speculated about the possibility of a machine to create kinetic, abstract images with photography, but it was not until 1930 that he was able to construct and exhibit Light Prop for an Electric Stage 1928–30, also known as the Light Space Modulator. It is not known exactly how the Light Prop was originally presented, but in a contemporary article Moholy proposed to house the mechanism inside a wooden box with a series of coloured lights framing its circular opening to create a ‘light show’.

Anticipating the practice of contemporary artists by several decades, Moholy considered the idea to be the essential element of an art work, happily entrusting the execution to others. While the technical development of the Light Prop was handed over to the young Hungarian architect Stefan Sebök, the final construction took place in a small workshop in Berlin, a process partially sponsored by AEG, Germany’s largest electrical supplier at the time.

Moholy used the Light Prop to create what is perhaps his most famous film, Light Play: Black-White-Grey 1930. Lasting five and a half minutes, the film follows the Light Prop’s movement in close-up, resulting in an abstract interplay of reflective surfaces, beams of light and dramatic shadows. Moholy likened the film to a ‘moving painting’, which is how it is presented here.


Additional Information: László Moholy-Nagy, Light Prop for an Electric Stage

Essay:
Replicas of László Moholy-Nagy’s Light Prop: Busch-Reisinger Museum and Harvard University Art Museums, Henry Lie, Tate Papers no.8


Exhibition:
Albers and Moholy-Nagy: from the Bauhaus to the New World, Tate Modern, London


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László Moholy–Nagy, American, born Hungary, (1895–1946)
b. July 20, 1895, Bácsborsód, Hungary
d. 1946

Art in Context - Projects:
Art in Context - Art for the Day: July 20





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