artincontext  
artincontext Main Index   |   Welcome   |   Register   |   Edit


Agnes Martin
White Stone
1964
Oil and graphite on linen

71 7/8 x 71 7/8 inches
Gift, Mr. Robert Elkon, 1969

Solomon R. Guggenheim Museum

Excerpt from The Solomon R. Guggenheim Museum:

White Stone

Agnes Martin’s earliest experiments with abstraction were based on her observations of New Mexico’s desert terrain. By 1960, she had developed her signature grid pattern the compositional motifs of these pristine, monochromatic paintings consist of a simple structure of interlocking horizontal and vertical lines in an almost exclusively 6-foot-square format. Unlike more rigidly formulaic Minimalist works, there is nothing systematic about Martin’s use of the grid. Her hand-drawn arrangement of coordinates shifts in scale and rhythm between works the resulting geometry is never mechanical and often in opposition to the square canvas. The delicacy of Martin’s style—promoted by the artist’s frequent use of light, graphite lines in works such as White Stone (1964)—masks her impulse toward stringent formal equality. This painting’s freely drawn grids fragile, almost dissolving lines and hushed tone encourage quiet contemplation in order for the subtleties of the composition to be revealed.


____________________________________

Agnes Martin, American, (1912–2004)
b. March 22, 1912, Macklin, Saskatchewan, Canada
d. 2004

Art in Context - Projects:
Art in Context - Art for the Day: March 22





© 1995-2017 Art in Context Center for Communications. All rights reserved.