"When I see the fullness of life in Path Soong's black and white abstract canvases, I am referring to a certain absence.  What is absence in these paintings is what is most full.  This is the paradox - to be full is to be empty, and conversely, to be empty is to be full.  The artist focuses on emptiness in order to be full." - Robert C. Morgan, "Path Soong's Northern Lights," NYArts Magazine, Volume 5, No. 10, October 2000