M.H. de Young Museum
Excerpt from M. H. de Young Museum, San Francisco:
- Additional Information -
SAN FRANCISCO—The Fine Arts Museums of San Francisco are pleased to present Jewel City: Art from San Francisco’s Panama-Pacific International Exposition, on view at the de Young from October 17, 2015, through January 10, 2016. Celebrating the centennial of the 1915 Panama-Pacific International Exposition (PPIE) in San Francisco, this exhibition revisits a vital moment in the inauguration of the city as a cultural center on the West Coast.
The PPIE was a world’s fair hosted by San Francisco to commemorate the opening of the Panama Canal and also served to promote the city’s recovery following the 1906 earthquake. At the heart of the PPIE was one of the most ambitious art exhibitions ever presented in the United States. It included a comprehensive survey of American painting, sculpture and printmaking as well as European works drawn from international public and private collections.
“The curatorial team has spent more than three years assembling this ambitious exhibition that recreates highlights of the original Exposition of 1915,” said James Ganz, curator of the Achenbach Foundation for Graphic Arts at the Fine Arts Museums of San Francisco and lead curator of Jewel City. “Our efforts to identify and locate actual works of art shown in the PPIE have led from our own storerooms to holdings as far away as Budapest, Hungary. In a way, we are following in the footsteps of the original organizers as we bring back to San Francisco a compelling array of significant works by American and European artists last seen together here a century ago.”
Jewel City will present a series of galleries devoted to the main artistic venues of the fair—the Palace of Fine Arts and the Fine Arts Annex—as well as the French Pavilion, bringing together more than 200 paintings, sculptures, prints and photographs by major American and European artists that were among the works on view at the PPIE, which numbered an estimated 20,000. Jewel City features works from more than 70 international lenders as well as works drawn extensively from the Museums’ own permanent collections. These artworks have not been seen together in the 100 years since the PPIE was held, and they may never be reunited in an exhibition again.
Continued, M. H. de Young Museum, San Francisco